Part of hadge's adventure in Film, General, Music
Since I am home alone I decided I would watch a film I knew my wife Jo would have no interest in watching whatsoever (she’s more discerning than me) – Knowing, with Nicolas Cage. Now I can almost hear the deep groan coming from all three of you who are reading this but give me a chance. Yes, he has been in a fair few turkeys but he has also been in a couple of reasonable films too. The write up looked interesting so I thought, heck why not, it’s free on Foxtell so I may as well. Wrong move! I’m telling you from the outset – this movie is one of the biggest piles of poo I have ever had to watch (not that I actually watch piles of poo you understand – it’s a metaphor). Let me warn you now I will be giving the ending of this film away so if you really must watch it then read no further – on the other hand read on and save yourself a wasted two hours of your life.
The film is described as a heart pounding sci-fi thriller (it uses the phrase heart pounding twice in the blurb on the official website). Remember, I was watching this film on my own and I am a bit of a wuss when it comes to scary movies – the best this gets is a bit creepy at times but it is never heart pounding. Cage plays a professor of astrophysics, a single parent of a little deaf kid having lost his wife in a disastrous fire shortly before the film begins (the clue is in the word disastrous). So, he employs his gift of facial acting to make it clear that he is tortured and racked with angst – he also drinks way too much scotch. The film begins with a flashback to 50 years earlier as the local school has a ceremony to bury a time capsule that will be opened in – you guessed it – 50 years time. One class is invited to draw pictures of what they think the future will look like and one little girl – the creepy one who keeps staring at the sun and hears whispering voices – fills her piece of paper with a random list of numbers. 50 years on the deaf kid gets the envelope with the numbers, Cage spills some whisky on the page and goes into a frenzy of number crunching to discover that the numbers correspond to dates. All the dates are associated with natural and man made disasters – the numbers predict the longitude and latitude, day, month and year and number of those killed. There are three dates outstanding which just happen to be the following three days. This begins the not particularly heart pounding race to try and do something about it. Of course he can’t and even as he tries he finds himself at the scene of a plane crash and a tube disaster. Now, I’m not even going to try to imagine what the writer was attempting to say with this pitiful plot but it is a poor attempt at saying something about predestination and the inevitable end of the world. In the midst of this his deaf son has a number of encounters with creepy guys who look like extras from Men In Black and he finds a friend – the grandaughter of the original creepy little girl who wrote out the numbers.
It turns out that Cage’s characters father is a church minister and they have been estranged for some time (obviously we find out that it was his dead wife’s wish that they be reconciled but up to this point he has had no contact with his dad). So, to cut a long story (and it is way to long for such a pile of poo) it turns out that the final disaster is the big one – the end of the world. Cage phones his father who tells him everything will be ok because they will all go to heaven together. The mother of the grandaughter is killed (just as her mother, the creepy girl 50 years earlier had predicted) while Cage, the deaf son and the grandaughter all end up in a creepy dark forest with the creepy men in black who turn out to be creepy angels. A space craft (which I think is meant to look like Ezekiel’s vision of the wheels within wheels) lands – Cage can’t go, only the kids – they do, to a scene which is a cross between ET and Close Encounters. Cage makes it back to his fathers house just in time for the whole family to have a group hug as a massive solar flare burns New York (and the rest of the world) to a crisp. The film ends with the two kids running through a field reminiscent of something out of What Dreams May Come towards a tree (shades of Adam and Eve). So, we’re left thinking that the whole story will begin again just as soon as the kids reach puberty and become sexually active – and if the girl should eat an apple from that tree then there will no doubt be a sequel. Give it a miss – it is atrocious.
The best thing about it was the use of Beethoven’s Allegretto from his seventh symphony – enjoy (starts off very quiet).
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